Characteristics of street art Artists usually incorporate graffiti elements into their works, adding large bubble letters or smaller decorative scripts. Scale and time are often important factors in the creation of street art, since many of these works are created illegally. Although territorial and rebellious in nature, street art tends to convey a social or political message that provokes discussions and reactions. Street art is often related to activism that raises awareness of pressing social and environmental issues.
Street art is art created on surfaces of public places such as exterior walls of buildings, highway overpasses and sidewalks. Street art tends to occur in urban areas, and yes, it is related in certain ways to graffiti. Street art is generally created as a means of conveying a message related to political ideas or social commentary. Not all street art involves painting.
It can be done with stickers scattered on surfaces or through methods such as thread bombardment, a process in which artists cover things such as trees and telephone poles with colored fibers and knitted fabrics. Street art can also be done with templates, in which the creator repeats the image all over the surface to make a statement. Reflections on political and social issues usually occupy a central place in street art, ranging from sprayed labels, through stickers and woven fibers that wrap around telephone poles to monumental painted murals that cover entire buildings. Unauthorized street art interventions usually aim to surprise spectators by presenting a visually realistic and, at the same time, incredible situation.
Street art seeks to surprise spectators by integrating its elements into fairly crowded public places. By comparison, street artists take the ideas and tools associated with graffiti and use them to create art that sends a message. He began creating street art in 1999, spending several days in his studio preparing wheat pasta posters made with recycled paper and then transporting the finished works to urban public spaces, where he glued them to walls. The work is a good example of how some renegade street artists were able to move from their unauthorized urban canvases to become a credible art forum.
While both forms of public expression are not always done with the permission of the owners, including the topic of vandalism in the equation, street art has broader objectives than graffiti. While street art is often commissioned, the manufacture of graffiti is often sanctioned and cities often treat the act of spraying graffiti as an act of vandalism. Some apply the post-graffiti label to the work of street artists who also participate in the world of conventional art, although it is a bit inappropriate, since many of these artists continue to carry out illegal public interventions while participating in authorized exhibitions in galleries and museums. Reverse graffiti poses a unique problem for law enforcement officers, who are generally conditioned to understand street art as a form of vandalism.
Another distinctive feature of both is that street art contains elements related to graphic design and has more to do with images, while graffiti always has a text-based theme in the act of labeling and labeling.
